Straightener
Brand
- Adler 2
- Camry 3
PhilipsPhilips 4- Remington 27
- Tristar 1
Adler AD 2104 Hair straightener 2 in 1 – ceramic
Adler AD 2325 Hair straightener – wide (/w temp. control)
Camry Hair Straightener 5 level temperature control 150W
Camry Hair Straightener Ionic function – reduces the tendency to static PTC 500W
Camry Hair Styler Set 5-in-1 1200W
Remington 38mm Curling Tong for Big Bouncy Curls (Titanium Ceramic for Smoothness & Shine, Protective Coating with Anti-Static, Ceramic, Tourmaline Ionic, Fast 30 Second Heat Up, 140 C-210 C) CI5538
Remington Advanced Colour Protect Straightener | S8605 E51
Remington Ceramic Crimp 220 S3580
Remington Ceramic Style Edition Hair Straightener Gift Set S3505GP
Remington CI4740 Shea Soft Curling Wand.
Remington Hair Curler PROluxe Ceramic Coating, OPTIheat Technology Targeted Constant Heat, Digital Temperature
REMINGTON Hair Straightener S9100 E51 Proluxe
Remington Hair Straightener 2in1: straight & curl – Tourmaline Ceramic Twisted Plates, LCD Screen, 5 Temperature Settings 150-230C, Memory, Pouch – S6606
Remington Hair Straightener S3500 230ºC in a super quick 15 seconds 4X Protection Ceramic Slim Coating & Easy Glide, Even Heat & Shine
REMINGTON Hair Straightener S8590 E51 Keratin Therapy Pro
Remington Keratin Protect Straight Brush CB7480
Online store of household appliances and electronics
Then the question arises: where’s the content? Not there yet? That’s not so bad, there’s dummy copy to the rescue. But worse, what if the fish doesn’t fit in the can, the foot’s to big for the boot? Or to small? To short sentences, to many headings, images too large for the proposed design, or too small, or they fit in but it looks iffy for reasons.
A client that’s unhappy for a reason is a problem, a client that’s unhappy though he or her can’t quite put a finger on it is worse. Chances are there wasn’t collaboration, communication, and checkpoints, there wasn’t a process agreed upon or specified with the granularity required. It’s content strategy gone awry right from the start. If that’s what you think how bout the other way around? How can you evaluate content without design? No typography, no colors, no layout, no styles, all those things that convey the important signals that go beyond the mere textual, hierarchies of information, weight, emphasis, oblique stresses, priorities, all those subtle cues that also have visual and emotional appeal to the reader.